Chapter 15 Behaviour , Structure and Causality in Procedural Audio 1 Andy

Procedural audio is sound as a process. Instead of thinking about nouns, we think of verbs, or the actions that cause sounds. Procedural sound is also a structural and reasoned, rather than purely sensible, approach to sound, in which behaviour supplants identity and we ask not what sound is, but what it does. This chapter follows the publication of Designing Sound (Farnell, 2008) in which I lay foundations for procedural audio, particularly its use in real-time virtual worlds. Here I would like to talk about the ideas of behaviour, causality and structure which are implied by the identification of sound as a branch of dynamics requiring energetic change. The task at hand is producing sound for film, computer games, or other interactive entertainment applications. This task requires creativity, knowledge and understanding. Creativity in traditional sound design is directed at capturing, curating and matching audio data to depicted circumstance, whereas creation of procedural sound is from first principles: so it is truly design as opposed to selection. Insights into process are therefore at the root of the work. The end product is sound as code, or sound objects (Polotti, Papetti, Rocchesso, & Delle, 2001). One must create new digital signal processAbstrAct